As we ease our way around the sun and slowly begin our inverse axis tilt during these easy summer days, my attention remains on the glorious, brilliant spectrum of colors that dance on and through the surface of white cloth in the full sun. And as we've done so many times before, my beautiful wife and I find our way into lovely scenarios that fully display the glory that is summer sunlight.
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I've taken on the task of painting all of my paintings while in front of the subject, whether it's in the quiet, controlled environment of the studio, or the hectic, vibrant, ephemeral setting of the garden in bright sunlight. It may seem a bit silly to ignore the opportunity of using a photograph or other still reference in order to accomplish a painting, but I decided long ago that I would rather go for the fleeting effect than the "finished" look.
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Throughout the year I paint flowers. And mostly those flowers come from faraway places like Ecuador, for the growing season for the flowers I love to paint is excruciatingly short here in New England. But every June, the peony bushes in my garden burgeon with silky, lush peony blossoms, which for me is an annual call to action.
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